Welcome to the MICA Photography Department
BmoreArt is an award-winning Baltimore-based online journal, which provides creative and critical coverage of the Baltimore’s cultural landscape and beyond. Our daily articles are created by a team of dedicated local writers and editors who believe that Baltimore’s artists deserve to be discussed, critiqued, and informed. Unlike any other publication in Baltimore, BmoreArt documents a unique arts community in depth and presents it to an engaged local and international audience. As Baltimore’s creative class continues to grow, the presence of high quality discussion, critique, and observation becomes an even more essential part of the health of the creative-economic ecosystem.
“I am confused about my relationship with my gallery. I was always told that once you work with a gallery, or are represented by them, you need to give them a percentage of every sale you make – even those that come from outside the gallery. I am represented in one city, but showed at a non-profit in another city. A few months after that show came down, I had a collector from that city approach me to buy my work. The gallery that represents me has never had me sign an official contract, so I am not sure what they expect in this case. If I asked them, I am sure they would handle this sale and take their 50% cut. The work will also need to be shipped, so who would be responsible in paying for that, if they were to get involved?”
“I’m afraid you’ve hit the nail on the head. Many artists like working with commercial galleries because of the investment, support, and visibility that the gallery brings to their career. However, this may not translate into a financial gain for either parties involved and this can be a problem.
You have entered into a world where regular business models don’t always add up. Consider this: you can’t wear, eat, or consume art for any practical purpose. There’s no guarantee of value for works of art, except for recent sales records. Hence, the rules of sales and engagement are different than most financial transactions.”
“A photograph is never sufficiently proportional to truth. The truth — the full story, the context of things — is too large and complicated to be encompassed by any single image. So from Ferguson, Mo., where daily protests have erupted after Saturday’s police shooting of an unarmed African American teenager, we get only photographic data points.” -Philip Kennicott
A monthly conversation with Baltimore creatives (interviews + Q &A). Join me, Lauren Aycock Anderson, Counseling for Creatives, as I interview artists who made their visions reality! We’ll talk about their origins, the obstacles they faced along the way, and how they overcame them to take charge and do what they want.
Come talk with us, learn how these artists get things done, network and collaborate with other creatives, and maybe even find yourself a mentor.
Contact Maya at 443-717-3510 or firstname.lastname@example.org
• Liam Flynn’s Ale House (22 W. North Ave.)
• Joe Squared (133 W. North Ave.)
• Full Circle Photo (33 E. 21st St.)
• Station North Arts Cafe (1816 N. Charles St.)
• The WindUp Space (12 W. North Ave.)
• Greenleaf Teahouse (1907 Saint Paul St.)
• Caribbean Paradise (1818 N. Charles St.)
• The Crown (1910 N. Charles St.)
• OutTakes Cafe (1800 N. Charles St.)