Learn To Read Art: A Surviving History of Printed Matter at NYU’s 80WSE Gallery, Dec. 2nd through February 14, 2015
Learn to Read Art: A Surviving History of Printed Matter
Opening at NYU’s 80WSE Gallery
|Printed Matter, a pioneer in the field of artists’ books and a nerve center for New York’s alternative arts world for four decades, is the subject of the newest exhibition and publishing project at NYU’s 80WSE gallery, launching December 2. A public opening will take place on Friday, December 12th, 6-8PM.A carefully selected amalgamation of books, records, exhibition documentation and flyers, Learn to Read Art: A Surviving History of Printed Matter charts the organizational history of the New York non-profit in relation to the history of artists’ books and important movements in contemporary art from the 70’s to the present, encompassing the alternative space movement, downtown NYC counter-cultural scenes, and artist activism.“The field of artists’ books traces the historical trajectory of contemporary art, and many pioneering conceptual artists produced books and publications in order to both reach wider audiences and to circumvent the market and the institutions that much of the work implicitly critiqued,” said Max Schumann, the Acting Executive Director and veteran of Printed Matter. “As one of the pioneering organizations in the field of artists’ books, Printed Matter has stood at the junction of the book as art-form, art-vehicle, art-concept and art-process throughout its 39 year history. The goal of this exhibition is to provide a space for the examination and celebration of this critical cultural activity.”
Printed Matter was founded in 1976 by Sol Lewitt and Lucy Lippard among others, and capitalized on the growing interest in publications made by leading contemporary artists, such as Vito Acconci, Kathy Acker, John Baldessari, Hanne Darboven, Alison Knowles, Louise Lawler, Sol LeWitt, Edward Ruscha, and Lawrence Weiner. Through decades of its own records and files, Learn to Read Art provides a visual account of the history of the store’s collaboration with artists as well as the contemporary art scene in which it engaged.
Learn to Read Art: A Surviving History of Printed Matter will be organized along a timeline of documents, ephemera, editions and publications, which will be presented alongside a chronologically arranged reading library of artists’ books from the corresponding decades, allowing for a hands-on, between-the-covers interaction with exhibition.
“Printed Matter remains unique in its ability to democratize the field of contemporary art. Where else in NYC does an artist book by Ed Ruscha sit next to a zine by a teenager from rural Ohio?” said Jonathan Berger, Director of the 80WSE Gallery. “Through offering a full history of how Printed Matter developed as the vital institution that it is, I believe that this exhibition has the potential to be an incredible resource for new generations of artists in search of new and different independent models, which enable new possibilities that push beyond the confines of the present.”
Learn to Read Art: A Surviving History of Printed Matter is curated by artist/curator Max Schumann, a veteran of Printed Matter, and artist/curator Jonathan Berger, Director of the 80WSE Gallery and Assistant Professor of Art and Arts Professions at the NYU Steinhardt School.
The title of the exhibition is taken from a text piece by conceptual artist Lawrence Weiner, who has a career-long artists’ book practice, and has had a relationship with Printed Matter since its founding. The exhibition runs throughFebruary 14, 2015.
To receive additional information about the exhibition, please write toNews@printedmatter.org.
RSVP to the opening reception on Facebook here.
Printed Matter, Inc.
Printed Matter, Inc. has received support, in part, through grants from The Andy Warhol Foundation for the Visual Arts, The Booth Ferris Foundation, Rockefeller Brothers Fund (The Charles E. Culpeper Arts & Culture Grants), The Robert Rauschenberg Foundation, The Horace W. Goldsmith Foundation, The Gesso Foundation, Mayor’s Fund to Advance New York and the Fund for the City of New York, The Andrew W. Mellon Foundation, Art Dealers of America Association, The Jerome Foundation, The Greenwich Collection Ltd., The Lily Auchincloss Foundation, The New York City Department of Cultural Affairs, The Orphiflamme Foundation, The Harpo Foundation, The Leon Levy Foundation, The Milton & Sally Avery Arts Foundation, Furthermore Foundation, The Cowles Charitable Trust, The Foundation for Contemporary Arts, The Mondriaan Fund, The National Endowment for the Arts, The New York State Council on the Arts, The Gladys Krieble Delmas Foundation, The Schoenstadt Family Foundation, The Jay DeFeo Trust, Clinton Hill/Allen Tran Foundation, Society of American Archivists, The Hyde and Watson Foundation, New York Council for the Humanities, Shapco, and individuals worldwide.
Printed Matter, Inc.